Chapter Forty-Two – 7 of Cups

Francis and I were at a Pagan brunch when the first seeds of doubt began to find their way into our relationship.

Fox was sitting across from us at our table and there were plates of eggs, toast and bacon in front of us. I was telling Fox about a ceremony that Francis and I had taken part in the other night. I had stood for Air and Francis had stood for Fire as we made the four corners with a small group of other Pagans. A woman we both knew named Anna had wanted to perform a rite for herself and had asked a few of her friends to take part. It had been a wonderful experience performing magic with Francis and I was still elated by the whole experience.

“The room hummed with magic,” I told Fox. Beside me, Francis took my hand and gave it a squeeze. He had felt the magic, too and we had talked about it afterwards.

“Man, Francis. You lucked out with Jamieson, and you really robbed the cradle!” he said with a loud laugh.

Beside me, I could feel Francis freeze and then he removed his hand from mine. Beside Fox, Lisa gave him an angry frown and smacked his shoulder.

“What? What did I say?”

“You’re just fucking clueless, that’s all.” She said. Her tone was sweet, but her eyes were like steel daggers.

Francis chuckled beside me, but there was no humour in it. He waved a hand at Fox, but I saw the shape of a gesture in that wave. Francis’ middle finger was clear in the air in between all four of us before the rest of his fingers popped into view. “It’s alright,” he said. “It’s all right,” he said again. I could tell from the tone of Francis’ voice that it wasn’t alright. There was a grim set to his mouth that I hadn’t seen before. Whenever he looked at me, he was smiling.

After brunch, we took the bus back to his place. We barely spoke on the bus. Our relationship was normally full of conversation. We talked about everything, and Francis never put me down or called me stupid. We were equally fascinated with each other and the life I thought we were building together was one filled with magic, words, music and love. Francis and I were in the process of discovery, and I liked to imagine the path that we were forging together on the surface of the map within my mind. Everyone has a map like this, with roads already traveled and paths yet to be found.

On the map within me, I could see where our paths had converged, and the lines radiating from that point were brighter, drawn in shades of flamingo pink, sunset gold and the brightest cerulean blue. Looking back over the map, some of the lines that were drawn had been jagged and sharp enough to draw blood; a lot of them had. I traced the lines that blossomed like a flower ever since Francis and I had started dating and they flowed like water and air.

Which was I surprised to feel a jagged wall between Francis and myself as we rode back to his apartment. Indeed, there were no words shared. I tried to talk to him and figure out what was wrong, but he just kept shaking his head. We got off the bus and mad our way to his home in silence. No one else was home yet, so we just made our way to his room. I watched the man I love sit on his bed and crumple into himself as if the wall he had been a moment ago had just come tumbling down.

“You must think I’m an idiot, I’m sorry Jamieson. I’m sorry.”

“What are you sorry for?” I asked, sitting down beside him on the bed. I was surprised that I didn’t put any walls up. I knew that we were about to have a conversation that I might not like, but I loved Francis so completely that it didn’t occur to me for even a moment to be fearful.

He took my hands in his and they were warm. When Francis raised his head and looked at me, I was surprised to find tears in his eyes. “You’re only six years older than my son.” He let out a sob and I watched a tear slide down his cheek. “I don’t know what to do. What direction do I take?” There was desperation in his voice. “I love you, I know that, and your love is a gift, such a gift and I never thought I would find love again. I thought that I was destined to be alone for the rest of my life, and then you appeared as if sent by the gods. But you’re only six years older than my son.”

I knew that Francis had two children from when he was married before he came out of the closet. I knew that they were still a small part of his life, but we had never talked about them. Our relationship was still so new, and Francis and I hadn’t been together for long, even though our love was deep. He had never brought them up before.

“Well, did you want to talk about it?” I asked. I knew he was hurting over something, and I wanted to help him heal. I loved him so completely that I thought that love could heal anything.

He kissed me softly. “No, I just don’t know what to do. I mean, I’ve gotten lots of comments from people like Fox, but I love you and that goes beyond age. I love your spirit and I’m so happy to be in your glow. I’ve just been in a funk since the brunch. Fox’s comment really got to me.”

“What can I do?” I asked softly. I knew that he was still upset, that Fox’s comment had unlocked something within him. Maybe it had already been unlocked if he had been getting comments from other people about our age difference. I saw nothing wrong with being nineteen and Francis being forty-one. “Tell me what I can do and what you need from me.” I wanted him to know that we could get through this together. When Francis looked at me, I watched him search my face and knew that he was wishing I was a few years older. It had been the first time he had looked at me like that. He had always looked at me and accepted me just as I was and I didn’t see that within his eyes. It was there for a moment and gone in the next.

“I’m sorry,” he said again. “You must think I’m an idiot, I’m just being an idiot.”

When he kissed me, there was no hesitancy and no wall between our lips, so I gave into the kiss and let the sound of worry and anguish in his voice fade from my mind, sure that our love wouldn’t falter and that our map would be filled with so many lines, it would look like a spider’s web.

I hoped for this as much as I willed myself to forget.

The Forest in the Mirror – My Journey with Tarot Collecting

I don’t think there will ever be a last tarot deck.

I’ve come to realize that as much as I love reading tarot and delving into the mysteries of myself and the journey, I find myself on, I love collecting new tarot decks and other tarot related creations that call to me. With each one I find, be it a deck of Tarot, Oracle, Kiper or Lenormand cards, it’s like I’m finding a part of myself.

Tarot has become a part of how I breathe and that breath changes focus over time. There are times when I feel like I need strong guidance and wise counsel and other times when I need a soft and gentle hand to guide my way. I always find myself going to different decks for different situations. I’ve tried to stick with only one deck, and I did for a while. My first deck was The Ancient Egyptian Tarot. I love the mysticism that Egypt still brings to mind and using those cards was like communicating with a deeper part of my spirit. The Ancient Egyptian Tarot was with me during one of the most difficult times in my life and part of me.

After a break from card slinging, I learned to read tarot again with the Thoth Tarot and after I spent a lot of time with those cards, I needed to find a different path for myself. My path with the Thoth Tarot ended badly, though this had nothing to do with the cards themselves, but the person who taught me to read with them. I wanted to find comfort after a difficult time and knew that I had to walk away from the Toth Tarot. It was too wrapped up in who he was.

After such a bad experience with that was wrapped up within the Thoth Tarot, I needed to walk away from the tarot for a bit. I found myself drawn to The Enchanted Map Oracle by Colette Baron-Reid. They were a revelation at the time and provided me with soft comfort and much needed advice that I needed to turn my mind around and to not just focus on the positive but find a way to let go of the negativity so that I could see the path in front of me clearly. I had no idea that my path would lead me to meet Colette with my friend Christine.

When a friend gave me The Wild Unknown for Christmas, it was like I had found a piece of myself that I had given away a long time ago. I was hesitant picking up another tarot deck after what had happened with the Thoth Tarot. However, after a time with so much darkness, it was like finding light in the shadows, and Kim Krans uses colour to great effect within the art of The Wild Uknown, using the shadow to show how powerful a spot of light or colour can be.

It is the deck that I always return to, no matter how many decks I own. It’s where I feel most at home. The Wild Unknown is the deck that somehow gives me breath in a world where I sometimes don’t feel like I can breathe. I have three cards tattooed on my right shoulder so that I can carry them around with me: the Ace of Wands, Strength and the Ace of Swords. Every day, they remind me what I can create, how I can overcome and what I need to cut away.

Even so, as much as The Wild Unknown holds a part of my spirit, it likes to wander and find itself in new places.  I’m always drawn to find a part of myself in something new and if it has gilding on the edges, I’m gone. I have always been a sucker for shiny things. After experiencing The Wild Unknown, I was drawn into the world of Prisma Visions. The Wild Unknown Tarot helped me through a period of growth where I became completely myself and opened me up to what was possible. The world of Prima Visions Tarot was an explosion of colour that lit up the dark and showed me what my world could look like, and it was a world that I wanted to explore. I felt like with each card that I was being drawn into a world where there was finally balance between the light and the dark. I found those cards when I needed to let myself shine because I didn’t want to hide who I was anymore. Those cards showed me that it was okay.

I could go on, but we would be here for a while. When people ask me how many decks I have, I truthfully don’t know the answer. I would wager somewhere between one-hundred or two. There have been decks that have been sold to others or given away to one of my friends who was in need of a little bit of wisdom, but other than that, they have stayed.

I’ve always thought of Tarot cards like doors, they invite into a world of the artists creation. The person who has created the deck is alive within each card, each pigment, each sword, pentacle, cup or wand. The decks that call to me are often at random or ones I’ve been told about, or I spot them on my journeys in stores (both mortar and online). If I know that the store sells Tarot decks, that’s the first thing I go to look at. I almost always find something to take home.

It’s not about just buying a new deck. There has to be some kind of spark or story, waiting to be unravelled and lived in. I’m a firm believer that Tarot decks are spirit keepers. I write and paint. I know that a little bit of the magic that I create lives inside each of my paintings. My books always hold characters that are parts or pieces of me, every writer does this. Our lives and imagination inspire the rest.

I think that tarot decks are like that, too.  The decks always hold the spirit of their creator. They’ve had that vision, that idea, that story that had to be told with tarot cards. They are world creators, giving their idea a canvas to live out their tale, to hold the energy that they want to imbibe the deck with. Every time I open a new tarot deck that called to me, I am opening a door within myself that has either remained closed, or I didn’t know was there in the first place. I usually sit with a tarot deck, flipping through the cards and letting what I see tell me a story. Then I sit and read the guidebook, so that I can see further into the forest. The guidebook gives me the bones of the deck. It is, after all, the deck creators’ story and vision. They take the forest of cards and help to bring them to life.

My tarot collection of tarot decks has become something more. It’s like each deck is a page in the book that tells my journey, mirroring a different part of my path. It’s a large book that I have compiled, much like a tarot deck that is really a book filled with mirrors. I’ve always used tarot for personal reflection and growth, and each card is a reflection of who I am, that’s how I’ve always seen them at any rate. These decks that have been created with care by so many different deck creators and artists. They may have created a forest to lose myself in, but it’s my intuition that gives me the light to shine through.

Either way, I’ve come to realize that there will always be a new deck that catches my eye and tugs at my spirit. I know this and I’ve come to a good place with it. I know that with each year that passes, there will be many more pages to add to the book of my life. I can’t wait to see where the cards will take me next.

The Symbols of Jennifer Cooper Steidley – A Tarot Disassembled Deck Review

I’m convinced that Jennifer Cooper Steidley is a Symbol Goddess.

I’ve been a longtime fan of her independently released works including Tarot Disassembled, Tarot Assembled and The Symdala Tarot. They are wonders of symbolic imagery held within the tarot and given a new light and life. They take the Rider Waite Smith Tarot, perhaps the most famous tarot deck, and break every card down into the symbols that each card holds.

The decks are full of symbols, and you’d think that would difficult to read with, but it shows us the pieces and players each Tarot card holds and the energy within. What’s more, her cards let us move them around to tell our own story. Tarot Disassembled helps us take a look at the tarot cards we know so well by breaking each card down to the symbols they contain.

Tarot Assembled breaks down the symbols even more by giving us a gorgeous pallet of colour. I can’t be the only one who responds in a different way for different colours. I feel morose or thoughtful when I see grey, joyous when I see yellow, thoughtful when I see green.  Steidley has each let us gaze not upon a card full of symbols, but one single symbol that the Tarot contains. Tarot Assembled has us take a look at the tree that makes up the Tarot and in contemplating the single symbol, we can put the Tarot we know back together.  

The Symdala Tarot takes the symbolic journey of the Tarot even further and creates a mandala out of each card. These mandalas give you space to pause, reflect and see even deeper into what the cards mean. What’s more, the words around the edge of each card and the symbols within these circular cards create windows and portals into different parts of ourselves. The cards ask that we meditate upon the images and words that the card holds and I love that about them.

I love the guidebooks that come with each of the decks. They are compendiums of the symbols to be found within and what these symbols mean. They are a wealth of information and knowledge and each time I open one and delve in, I find myself happily lost in a world of words and symbols.  I love how Steidley has given me a new way to look within the cards that I know so well and see something new even though I’ve been using the RWS Tarot for years now.

Case in point: I was drawing a card for myself from the Symdala Tarot the other night. I have been going through some health issues and wasn’t surprised to draw the 9 of Wands. What intrigued me was the bandage at the centre of the symbolic mandala. I had never seen a band-aid in the 9 of Wands. I went to my RWS and found the corresponding 9 of Wands card and right there on the man’s head was a bandage. I stopped and looked at the card from the Symdala Tarot and the RWS side by side and I really appreciated how Steidley took a card I knew so well and helped me to see something new within it. It’s like this every time when I’m using her cards.

I was beyond thrilled to hear that Tarot Dissembled was being published by Weiser. I love this deck so much because it started me on my journey of looking deeper within the cards. When I first started using the independently published Tarot Disassembled, I would draw a card and find myself being drawn to a particular symbol. Even through the symbols were all separated, if I followed them, they told a story. When I would read with other decks that were based off the RWS Tarot, I would see symbols that Steidley had brought out into the light. I’m can see the symbols so much more clearly.

More than that, she helped me to fall in love with the Tarot again because she made its language simpler to understand. After so many years of reading Tarot cards, things can start to seem a little boring. I sometimes lose my enthusiasm about Tarot, like everything else in life. Sometimes you need a break. I love all of my decks (and there are a lot of them) but there’s just something about going back to Tarot Dissambled that gives me a reset and much needed reboot. Having the symbols laid out for me reveals the language that Tarot uses to communicate. The decks by Jennifer Cooper Steidley are all like this, but Tarot Disassembled has a special place in my heart because it’s where I first saw the skeleton of each card through the images that she created.

Tarot Disassembled brought so much light into my life and not just because of the symbols that were finally given the limelight they deserved. The whole deck is a fabulous riot colour and it was my hope that when the Wieser version of Tarot Disassembled was published that it would honour the spirit of the deck I knew so well.

Thankfully, the Red Wheel/Weiser Books edition of Tarot Disassembled is just as amazing as the independently published version of the deck. The cardstock is lovely, the matte finish whispery and the yellow edges are amazing. My favourite colour is purple, so I was thrilled beyond words to find out that it had been added to the colour pallet of the cards. It was a joy to go through a deck that I knew so well to see if I could spot the differences in the cards.

I think what I love most is the fact that the Red Wheel/Weiser Books edition of Tarot Disassembled preserved the heart and spirit that makes the deck so special. The guidebook is still the wonderful grimoire of symbols, legend and lore and the cards are spectacular. I’ve got my first and second edition of the Tarot Disassembled, and they are thrilled to welcome their new sibling.

The Tarot Disassembled deck and guidebook by Jennifer Cooper Steidley and published by Red Wheel/Weiser Books is absolute magic.

You can learn mor about Jennifer by visiting her website here: https://www.jennifersteidley.com/

The Emerald Tarot – A Review

I saw a few images of The Emerald Tarot and bought the deck mostly sight unseen. The truth is, normally when I spot a deck that I’m drawn to, I research the heck out of it and watch videos, read reviews and whatever I can learn about the deck and its vision before clicking buy now. With The Emerald Tarot, there was none of that to be found. I’m not sure why, it’s a brilliant and gorgeous deck that deserves all kinds of praise.

It looks like it should be a pip deck, but all cards are illustrated. It reminds me a lot of the Tarot de Marseilles and has the same feeling to it. Despite having illustrated minors, it doesn’t lose that Tarot de Marseilles feel that it has. The Emerald Tarot is at once timeless and yet it’s also something new.

The deck is published by Ratti Incantanti and is based on The Emerald Tablet, a philosophical source of myths and legends. The box is beautifully designed and looks like an emerald-coloured book with an old clasp. When you open the box, you are invited into the words and images of The Emerald Tarot and what a story it has to tell.

Now, a word to the tarot purists out there. The Emerald Tarot changes quite a few things about the tarot structure that we know and love. In the Major Arcana, a lot of cards have been moved around. The deck begins with the Fool, but that’s followed by the Emperor, not the Magician. The Magician doesn’t show up until card 7. Likewise, the High Priestess doesn’t show up until card 20. It’s got a completely different order to things, and it tells a different story than the one we know so well.

The Major Arcana

The different order of the cards doesn’t take away from the power of them. More, it follows the ebb and flow of life great moments and the harsher cards like the Tower and Death are mixed in with Temperance and Justice. The Major Arcana starts with the Fool and ends with the World, so the beginning and ending are the same, it’s just the events of the Fools Journey that’s different. When I first started going through the deck, I wondered where everyone I knew was. I was looking for the Magician and the High Priestess and was overjoyed when I found them later within the cards.

The Minor Arcana has been shifted and moved, too. The events that we are familiar with in the Minor Arcana that we know are still there, but the Wands and Swords have traded places. The deck is patterned off of the Rider Wait Smith imagery that we know so well, but Wands are now Air and Swords are now Fire. What’s more, the imagery of the people within the cards have been changed, the Swords taking on the poses of the Wands suit and visa versa; the people within the Wands suit look as if they belong to the Swords suit.

The Suit of Wands

This takes a bit of getting used to and really challenges the reader to take a moment to pause when looking at the cards. The images are familiar, but both suits have been swapped with each other. This didn’t take me too long to get used to as I’ve often associated the Swords with creativity. The Ace of Swords often reminds me of the clarity I find when I’m writing, and I always say that my pen is my Sword. I can understand why some people might not like this shift in the way the Minor Arcana was told, but it works for me. Tarot is fluid, right?

The Suit of Swords

Now, the Cups and Pentacles suits have been left alone, and they are Water and Earth respectively. You wouldn’t expect the suits to all work together so well, but I think that changing Wands with Swords makes the Minor Arcana even stronger. The story that the cards now tell is a different one that we’re used to, but it’s a tale well told. With all the changes to the placement of cards and the suits, it is nice to see that some things have been left alone.

The Suit of Cups

The only complaint I have is a very small one. It says on the website that this deck is tarot and astrology driven. From the website: Where previous tarot systems have many layers of interpretation, including meaning from the Bible and the Qabalah, the Tarot of the Emerald Tablet focuses simply on Astrology. This deck is intended for readers who want a more honest approach to the astrological themes in tarot without the sacrifices made for its other interpretations.

That’s all well and good, but the only cards that have been linked to astrology are the Major Arcana and it’s been beautifully done. I was expecting more of a astrological focus to the cards, but it’s artfully done. If you don’t read astrology, don’t worry. The astrological symbols on the Major Arcana don’t get in the way of a reading, but nor does the deck have much to do with astrology aside from the Major Arcana and the changes in the Swords and Wand suits.

The Suit of Coins

The art of The Emerald Tarot is so beautiful. It feels like I’m using a deck from long ago, but with a slightly modern twist. It has a cute factor that never goes into a sugary overdrive which is something I really appreciate. It’s a hard balance to do. It’s not a deck with a lot of diversity, but none of the Tarot de Marseilles decks were either so I don’t feel like that should hold anyone back. The cardstock is lovely, thick and buttery soft. There has been a lot of care put into each area of The Emerald Tarot and it’s all tied together with the gorgeous card backs.

The Emerald Tarot shines like a beautiful gem. Though the deck makes us rethink how to connect with our spirit through the cards, there is enough that it similar here that the deck will entertain and amaze novices and seasoned tarot card slingers. It is timeless, modern perfection.

Design: Jesse Gros-Louis
Deck Art: Nicole Raskin
Booklet Art: Ben Farnell 

You can find The Emerald Tarot here: https://rattiincantati.com/products/the-emerald-tarot?srsltid=AfmBOopemj86BXLFzo0uKASm9eupw2pHGtWZvPFs_MqDS4GWLddetNB1

Before

My brother gave me my first deck of tarot cards.

We hadn’t spoken a lot since he had been kicked out of home. Truthfully, we hadn’t spoken a lot before that either. There was a wedge between us, even then. Looking at us, you wouldn’t be able to see it, but we felt it. It was a physical presence in our lives. I’m not sure it we put it there to keep us safe, or if my parents placed it between us for our safety.

I was still living at home. My brother had been kicked out for stealing, or getting into a fight, or mouthing off. My brother was a rebel, and I don’t think he knew how much I looked up to him. He’s my older brother by fifteen minutes. I joke about how my order was fucked up and I ended up with him, as if having him in my life is some kind of mistake.

The truth that I’ve been coming to terms with lately is that I didn’t talk to my brother often enough in the end. We existed in two different worlds. We had our own language growing up, but now, we don’t even speak to each other. The irony isn’t lost on me.

I don’t know what he did to end up in the shelter, but at least he was staying somewhere this time. Normally, he just disappeared, and I didn’t hear from him. It felt like a piece of me was missing. He would come back eventually, he always did. It was those times that I was left on my own that I was most afraid. My brother had a way of looking at life that I admired. He didn’t say much, but he didn’t need to.

To me, it looked like my brother was free.

I know that this isn’t completely true. He was free spirited, but there were secrets he carried, too. We may have had an ocean of unspoken words that swam between us, but he had grown up in the same house I did. I went within and Robert would explode outwards, his actions and interests his way of escaping and speaking without words.

I remember phone call. My father and stepmother had been out. Robert knew when they would be at work. I remember his voice on the phone and it sounded like him, but calmer. Hearing his voice was like a breath of fresh air in the cloud filled world which I lived in. His voice parted the smoke and fog that surrounded me. If I remained in the fog, I wouldn’t be seen. Hearing Robert’s voice made me want to be seen again.

“Come on over and see me,” he said. I remember this part, but not how I found the shelter or if I looked up the address first. I don’t remember how I got there, but I do know that I went to find him. I remember the blue drawer, the darkness within the room punctuated by a single light.

I remember Robert gathering the tarot cards off the floor. I don’t even remember if this is true, or if he had the cards gathered in his hand. I remember seeing flashes of colour and the hieroglyphics that covered the card backs.

“Someone gave these to me,” he said. “I think they’re meant for you, Jamie.”

I remember taking the cards and the book that was falling apart. They had been loved, these cards, whether by him or someone else. I wasn’t sure how he had come by them, but I knew that I was more than intrigued. I didn’t have the words to describe what I was seeing yet. Those words would come eventually, but for now there were the pictures.

Robert had given me a copy of The Ancient Egyptian Tarot by Clive Barrett. Robert had been the one to find the first Ankh that I wore. I wore an ankh all the time as a teenager, and he knew how much I loved anything Egyptian. I remember flipping through the cards, wondering what kind of interactive book this was to come with a set of cards.

I remember taking the book out and reading it on the bus back home. I would take the cards out again when I was alone, but for now, I read what I learned was the guidebook and let Clive tell me a story. I thought what it must be like living in a shelter or on the streets. It seemed a tough way of living, but Robert was free in a way. 

I had no idea that a few years later, I would learn what that was like firsthand.