The Forest in the Mirror – My Journey with Tarot

I don’t think there will ever be a last tarot deck.

I’ve come to realize that as much as I love reading tarot and delving into the different facets of myself, I love collecting new tarot decks and other tarot related creations that call to me. With each one I find, be it a deck of Tarot, Oracle, Kiper or Lenormand cards, it’s like I’m finding a part of myself.

Tarot has become a part of how I breathe and that breath changes focus over time. There are times when I feel like I need strong guidance and wise counsel and other times when I need a soft and gentle hand to guide my way. I always find myself going to different decks for different situations. I’ve tried to stick with only one deck, and I did for a while. My first deck was The Ancient Egyptian Tarot by Clive Barrett. I love the mysticism that Egypt holds and using those cards was like communicating with a deeper part of my spirit. The Ancient Egyptian Tarot was with me during one of the most difficult times in my life and is part of me.

After a break from card slinging, I learned to read tarot again with the Thoth Tarot and after I spent a lot of time with those cards, I needed to find a different path for myself. My path with the Thoth Tarot ended badly, though this had nothing to do with the cards themselves, but the person who taught me to read with them. I wanted to find comfort after a difficult time and knew that I had to walk away from the Toth Tarot. It was too wrapped up in who he was. I backed away from Tarot because of my experiences with the deck and my teacher. I still felt that I needed some kind of guidance and found myself turning to Oracle cards.

I found myself drawn to The Enchanted Map Oracle by Colette Baron-Reid. They were a revelation at the time and provided me with soft comfort and much needed advice that I needed to turn my mind around and to not just focus on the positive but find a way to let go of the negativity so that I could see the path in front of me clearly. I had no idea that my path would lead me to meet Colette with my friend Christine. I consider myself lucky that I got to meet Colette, but the shine that I felt followed her dulled after meeting her and so did my love for her cards.

There were other Oracle cards that were able to guide me through what I was going through, but I was itching to find another Tarot deck. I love Oracle cards, but Tarot would always be my first home.

When a friend gave me The Wild Unknown for Christmas, it was like I had found a piece of myself that I had given away a long time ago. I was hesitant picking up another tarot deck after what had happened with the Thoth Tarot. However, after a time with so much darkness, it was like finding light in the shadows, and Kim Krans uses colour to great effect within the art of The Wild Uknown, using the shadow to show how powerful a spot of light or colour can be.

It is the deck that I always return to, no matter how many decks I own. It’s where I feel most at home. The Wild Unknown is the deck that somehow gives me breath in a world where I sometimes don’t feel like I can breathe. I have three cards tattooed on my right shoulder so that I can carry them around with me: the Ace of Wands, Strength and the Ace of Swords. Every day, they remind me what I can create, how I can overcome and what I need to cut away.

Even so, as much as The Wild Unknown holds a part of my spirit, it likes to wander and find itself in new places.  I’m always drawn to find a part of myself in something new and if it has gilding on the edges, I’m gone. I have always been a sucker for shiny things. After experiencing The Wild Unknown, I was drawn into the world of Prisma Visions. The Wild Unknown Tarot helped me through a period of growth where I became completely myself and opened me up to what was possible. The world of Prima Visions Tarot was an explosion of colour that lit up the dark and showed me what my world could look like, and it was a world that I wanted to explore. I felt like with each card that I was being drawn into a world where there was finally balance between the light and the dark. I found those cards when I needed to let myself shine because I didn’t want to hide who I was anymore. Those cards showed me that it was okay.

I could go on, but we would be here for a while. When people ask me how many decks I have, I truthfully don’t know the answer. I would wager somewhere between one-hundred or two. There have been decks that have been sold to others or given away to one of my friends who were in need of a little bit of wisdom, but other than that, they have stayed.

I’ve always thought of Tarot cards like doors, they invite into a world of the artists creation. The person who has created the deck is alive within each card, each pigment, each sword, pentacle, cup or wand. The decks that call to me are often at random or ones I’ve been told about, or I spot them on my journeys in stores (both mortar and online). If I know that the store sells Tarot decks, that’s the first thing I go to look at. I almost always find something to take home.

It’s not about just buying a new deck. There must be some kind of spark or story, waiting to be unravelled and lived in. I’m a firm believer that Tarot decks are spirit keepers. I write and paint. I know that a little bit of the magic that I create lives inside each of my paintings. My books always hold characters that are parts or pieces of me, every writer does this. Our lives and imagination inspire the rest.

I think that tarot decks are like that, too.  The decks always hold the spirit of their creator. They’ve had that vision, that idea, that story that had to be told with tarot cards. They are world creators, giving their idea a canvas to live out their tale, to hold the energy that they want to imbibe the deck with. Every time I open a new tarot deck that called to me, I am opening a door within myself that has either remained closed, or I didn’t know was there in the first place. I usually sit with a tarot deck, flipping through the cards and letting what I see tell me a story. Then I sit and read the guidebook, so that I can see further into the forest. The guidebook gives me the bones of the deck. It is, after all, the deck creators’ story and vision. They take the forest of cards and help to bring them to life.

My tarot collection of tarot decks has become something more. It’s like each deck is a page in the book that tells my journey, mirroring a different part of my path. It’s a large book that I have compiled, much like a tarot deck that is really a book filled with mirrors. I’ve always used tarot for personal reflection and growth, and each card is a reflection of who I am, that’s how I’ve always seen them at any rate. These decks that have been created with care by so many different deck creators and artists. They may have created a forest to lose myself in, but it’s my intuition that gives me the light to shine through.

Either way, I’ve come to realize that there will always be a new deck that catches my eye and tugs at my spirit. I know this and I’ve come to a good place with it. I know that with each year that passes, there will be many more pages to add to the book of my life.

I recently donated upwards of sixty decks to a charitable foundation. This frees up space a little and it was good to go through the decks that I have and I was able to say goodbye to them and thank them for helping me find different facets of myself. I know that even though I just got rid of a lot of decks, that there will never be a last deck. There is always something that I can learn about myself and the road that I am on in this life.

I can’t wait to see where the cards will take me next.

Chapter Eleven – Justice

There was a justice on the street that hadn’t been in my life before.

In my life that had been, bullies sometimes went unchecked, those that were different were hurt and often there was no way to find retribution. The street held a kind of law and an unspoken rule of conduct. If someone was down, you held them up. It someone had been hurt by someone else, you stood up for them. I’d come to realize in a short time that you protected those that you were close to. It was just something you did without thinking about it.

Fast friendships formed and these people cemented themselves into your life and it was like you knew them right away. It was like this with Angel. I hadn’t known her at all when I had first met her, but now I searched her out whenever I was at YSB or the square. She filled my life with light, and I tended to gravitate towards it, not to drink from it but so I could bask in her glow.

It was healing to be next to her and her warmth filled over into my life. She would often draw her chalk art on the pavement of the square and put a hat out to collect change. Her art was so beautiful and lifelike that it looked like it could rise up out off the pavement and come to life. I was amazed that she could create such beautiful art with chalk on something as hard and unfriendly as the pavement. It seemed like a wonderful kind of balance whenever Angel worked the chalk into the cold pavement and brought it to life. Angel found life in the world that hadn’t been there before, and I marveled as I watched her work.

“Did you want to write something?” She asked.

I shrugged. “Well, nothing I write will be as good as your art.”

She stopped drawing and gave me a stern look. “Don’t say that. You’re a beautiful writer and your poetry is incredible. Why don’t you write a poem to go with my drawing. You can take your time with it. Here,” she handed me a piece of white chalk

I held it for a moment, watching her bring a woman to life within a forest of leaves. She looked out at me from within the window that Angel had created for her, and I could see her looking up at me. I looked into the woman’s eyes and began to write her story, scratching the white chalk onto the pavement.

I watched as both of our creations came to life together, my words taking inspiration from her. “She looks like she’s looking up at me from behind a window.” I told her. “Or like she’s outside looking within.”

Angel nodded and worked window lines in front of the chalk woman’s face. Only a few lines had been added, but it brought the chalk painting alive for me, made the final words of my poem come out and tumble from my fingers.

“There,” Angel said. We sat back and looked at our piece of art, my words a balance to her world of colours. I hadn’t noticed, but the amount of money in the hat had grown quite a bit. When the day was over, Angel handed me half.

“I can’t take that,” I said. “I wrote my poem for fun.”

“I painted my lady in the window for fun, too. We both worked hard in our own way and should both get paid for what we made. Fuck, I made more today than had it just been me painting. We helped each other.” She put the money into my hand and folded my fingers over it. “I mean, you didn’t see the people going to walk by my art, but they stopped to read your words and what you had written. We did it together, Jamie.”

We gathered up our windfall and headed towards McDonalds on Rideau Street. We could treat ourselves to something. I usually got a Fillet o’Fish and Angel would get nuggets or a Big Mac. We could eat in the restaurant and be near a washroom, pretend that we were normal, just for a moment.

I remember getting our food and thinking about the poem I had written. Eventually, both the drawing and my poem would be gone, never to exist again. It’s not like Angel and I could take a copy of her drawing, and I hadn’t thought to write down a copy of the words I had left behind.

I was okay with that.

It was our give to those that had given us the money we had in our pockets. The art and the words belonged to them, and we had left our magic in the streets. I wondered if others would be guided by the flash of the woman’s blue eyes or the curve of the vowels I had penned.

In that moment, I thought of the chalk dust we had marked the pavement with like stars, waiting to lead others to where they would find their magic.